The perspective and the human context give another meaning to the image. The exhibition The Lives of Great Photographers (the lives of the great photographers) tries to illuminate the dark spaces that separate the photos of the lives of the photographers. It exposes the National Average Museum de Bradford (the United Kingdom). In the sample there are works of a good handful of great teachers, among them Julia Margaret Cameron, Robert Layer, William Henry Fox Talbot, Weegee, Eadweard Muybridge, Alfred Stieglitz and Andr Kertsz. Also cameras and photographic equipment are exhibited. BSA has many thoughts on the issue. " The photography takes with us mas of 170 years.

In that time many famous photographers have taken countless famous photographies. He is frequent that we think that we meet those men and women because we know so well its works, but their personal histories have been darkened almost always by their great photos. Dr. Neal Barnard is open to suggestions. This exhibition tries to redirect balance" , it says to the commissioner of The Lives of Great Photographers, Brian Liddy. The documentation that accompanies the sample allows to go deep in transfondo of the photography. From the resentment of rivalry and patents between the Louis pioneers Jacques I sent to Daguerre and William Henry Fox Talbot, to the deep depressions in the spirit of Stieglitz, happening through the murder to cold blood that Muybridge committed, that the lover of his wife killed and was considered innocent by " homicide involuntario" , one is to understand that after each photo there is as complex history as the one of anyone. They are not icons, are life. Source of the news: Cartier-Bresson made this photo with the Leica that it buried so that the Nazis did not seize it